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• List Of Good Movies To Watch
• List Of Good Movies To Download
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The top torrent sites currently include old favorites like The Pirate Bay, as well as very popular torrent sites like RARBG, 1337X, Torlock, YTS.ag, TorrentDownloads, and LimeTorrents.

That said, we know that the best torrent site is always the one that has the high-quality torrent you're after, and with the most seeders, so a large and thorough list of torrent sites, like those in the list below the torrents that are the best of the best, is always a welcome resource to find.

We don't condone illegal sharing of copyrighted files. Please see our full disclaimer and warning for new torrent users at the bottom of the page.

• Oct 20, 2018 - Check out new the pirate bay like best torrent sites to download free movies and software in 2018.
• WatchSoMuch is a website that allows users to download movies and TV series for free. It features movies from the UK, USA, and more. The site is also.
• Our favorite site for Telugu movie torrents is Todaypk Movies. The site was the most user-friendly. We also liked how fast the downloads were. When downloading torrents, you want to make sure you stay safe. Most countries have strict anti-piracy laws, so to keep.
• Download Subtitles For TV-Series, Movies And Music Videos. The fastest downloads at the smallest size. Yify HD Torrent - Download Free Movie Yify Torrents For 720p, 1080p And 3D Quality Movies.
• While browsing the movies, music or tv torrents sites list you can find some good alternatives to The Pirate Bay, Extratorrent, RARBG and other commonly known sites. This list features the most popular torrent download sites: Best of: Pirate Bay, Extratorrent, RARBG, Kickass Torrents, Torrentz and 1377X.

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Tips for New Torrent Users

List Of Good Movies To Watch

If you're new to torrents, we have two resources that will help you get started in torrenting.

• Torrent File Sharing: A Beginner's Guide: Learn how BitTorrent file sharing works, what a torrent file is, how to protect yourself, and how to get to the movies and music you're after in the safest and efficient way possible.
• How to Spot Fake Torrents: Fake torrents are a big problem and not one a newcomer might assume is something she or he has to worry about. This article contains lots of torrent site searching tips to keep you out of harm's way.

Also, be sure you're running fully updated anti-malware software before you visit any of these sites, and try one of the Best VPN Service Providers that can help keep your torrent activity, and other browsing, private and secure. Also, if you're new to torrents, don't forget that you'll need a torrent client to get these files.

All torrent sites below are working unless otherwise noted, at least as of the last update to this page. Let us know (feedback@lifewire.com) if we need to adjust a listing.

The Top Torrent Sites

These seven sites made the top of the list. They're not the only torrent sites out there, but they are among the best.

This torrent site is a classic, and one of the most popular on the web. TPB has been around in one incarnation or another for a long time and the torrents here are, and have always been, trusted.

Icons on each download help users quickly see if a seeder is trusted or a VIP which helps to ensure safe downloads.

TPB occasionally moves around. If you're still experiencing issues reaching TPB, try these listings on the ProxyBay. It's possible you'll find another way into the site.

This torrent site is for movie enthusiasts. It's full of quality, high-resolution video torrents.

Top 10 lists help users find the most popular movies on the site, and a detail page for the download includes a variety of information from the size of the file and the date it was added to actor information, and the number of seeders and leechers for the download.

At RARBG, it’s about quality, not quantity.

If you're after older or more obscure torrents, 1337X might be for you. Their torrent database isn't nearly as large as some others, but it might have just what you're after. The front page is regularly updated with current and popular information about torrents, torrenting, and categories of interest.

The level of advertising you’ll encounter on this site is frustrating. Links often require two clicks...one to bring up an ad (in a separate window) and one to actually access the information you want. However, once you get passed the advertising, the search result pages contain lots of useful information.

This is the 'no fake torrent' site you've been waiting for. The site actually pays its users $1 per fake torrent they find, and claims to have more than 5 million verified torrents.

You’ll find current and popular files to download in movies, anime, software, games, and music, as well as other categories, and a Top 100 list lets you know what’s most popular with the most seeders and peers.

Focusing exclusively on movies, YTS.am (or YTS.ag) has an easy-to-use layout and a wide variety of titles both old and new. The torrents themselves are known to be easy on bandwidth, which will make those with data caps happy.

YTS.am is the unofficial successor to the now-defunct YTS/YIFY group, which closed its virtual doors in 2015. The current site has a massive user base, too, which helps the bittorrent protocol work more efficiently.

We love the super straightforward torrent detail page at TorrentDownloads. That would be reason enough to give this one a try but the big database and high quality of torrents make it a great choice.

Users can find current torrents in a variety of categories. The ability to rate files and leave comments on files helps to reduce the number of fake files found on the site. An Advanced Search option also allows users to narrow the field of possible returns by category, provider, and status.

You don't want to miss this site in your torrent search. Users report the size of their database is impressive and the frequency of legitimate torrents is enough to keep them coming back.

It’s easy to quickly determine whether a torrent is worth downloading. Internal lists show the date added, size, seeder and leechers, as well as a health meter for each file. The information page for each download also provides additional information about the file.

Other Torrent Search Sites

There are way more than just seven torrent sites out there, of course. We’ve compiled the following list, just in case you want to explore beyond the ones above.

The advertisements on many of these sites are often of the NSFW variety. You should use caution when accessing these sites from public computers or with children present.

• Popcorn Time: Popcorn Time is a site dedicated to streaming movies for free, so in the strictest of terms, it's not a torrent download site. However, if you don't mind watching movies on your PC, you'll find plenty of options here, and you can watch them as often as you like.
• Torrentz2: This is like a super torrent index, searching for torrents across dozens of other torrent sites. You can see the complete list in their Sites in our index page.
• ETTV Torrents: This is a good, active site that includes television episodes. The site search functionality is good enough and the site has a nice, clean design.
• Torrent Galaxy: A decent database of torrents, good search features, and a clean website design make Torrent Galaxy another site you want to include in your search.
• KAT: This is the official torrent site! Don't be tricked by mirrors of the same name.
• EZTV: You won't find every torrent you're after here, but users say the quality of the torrents you do find is consistently good. This site, like others, can go down sometimes; a little bit of patience will likely see it back up.

• Torrents.me: This meta torrent site isn't too special among all the others but we love the amazing dashboard on their home page. If you're a data nerd and a torrent fan, you'll appreciate what they've done.
• Monova: A nice, clean design is reason enough to spend time on this torrent site. Advertising can be an issue at times but if you can get over that, it's a great torrent site.
• Toorgle: This is another meta torrent search engine, pulling the databases in from over 450 torrent sites into one place.
• Seedpeer: With a sizable database of torrents, Seedpeer is and always has been a great place to search. The interface isn't as nice as some others, but it's still a very usable site.
• TorrentFunk: This is a pretty popular torrent site, in no small part due to its verified status indication, as well as user reviews.
• Zooqle: This is another torrent site you don't want to skip in your search. Users love the size of their database and the frequency of legitimate torrents.
• BitTorrent Database: With a huge database and pretty clean interface that's devoid of advertisements, it's no wonder this multi-million strong collection of torrents is one we frequently hear about.

• YourBittorrent: The clean interface is a big reason to try this torrent searcher...especially if you're new to BitTorrent.
• 7tor: 7tor appears to be a Russian website, though the greatest traffic to this site comes from Pakistan. However, the site is minimally maintained, and only available if enough users donate to support the monthly hosting for the site. It does appear that torrents are still being added to the site, so you may be able to find obscure titles here.
• rutracker: Another site that appears to be Russian, this site is currently active and appears to have current torrents available. Rutracker also offers distribution awards, a hall of fame, and more.
• Pirateiro: This English-language site, offers a variety of downloads, including current and older files. A word cloud at the top of the home page lets users know what the most popular searches on the site are.
• Nyaa: Nyaa is a Chinese-language site that also seems to have some English- and other languages available in downloads. You can easily track seeders and peers on the downloads you find here, as well as the ability to comment on files.

• ArenaBG: This Bulgarian site was restricted in Bulgaria. It’s now based in Frisco, Texas. The site is fairly easy to use, once you translate it to your preferred language, and offers both current downloads and older files.

Disclaimer & Torrent Legal Warning

Lifewire does not condone illegal sharing of copyrighted material. While P2P file sharing technology itself is completely legal, many of the files traded through P2P are indeed copyrighted. Uploading these copyrighted files puts you at risk of a civil lawsuit in the USA, Canada, Australia, and the UK, at a minimum.

Lawsuits can be targeted at individual users or groups of users. These P2P civil lawsuits are very real and, whether or not they are successful, they are often an extreme financial and emotional burden on the defendants.

Additionally, your Internet Service Provider may choose to release a history of your download and upload activity to potential copyright plaintiffs. In general, the more data you download and upload, the more risk you have of being sued by copyright protection groups.

Netflix has the movie game down pat. Not only does the streaming service rotate its offerings every month, it's constantly looking for ways to deliver the movies and TV shows you want, wherever you are.

Netflix has added the ability to download movies and shows to your phone or tablet, eliminating the need for an internet connection. You'll need to download the Netflix app (iTunes and Android), and once you start browsing, you'll see a downward-pointing arrow for titles you can download. To get you started, we picked our favorite downloadable movies, but if you can't find something you like, your best bet is to check out the 100 best movies on Netflix. Never buffer again!

Apocalypse Now (1979)

Reimagining Joseph Conrad's Heart of Darkness as a Vietnam war story brilliantly and brutally connects the dots between the height of the colonial era to its post-colonial fallout. Director Francis Ford Coppola's famous opening scene sets the stage for Captain Willard's (Martin Sheen) cursed mission to terminate Colonel Kurtz (Marlon Brando), who's gone rogue on the wrong side of the Cambodian border.

Apollo 13 (1995)

“Houston, we have a problem.” Ron Howard’s historical space epic dramatizing NASA’s mission to return Apollo 13 to Earth after the spaceship suffers internal damage is a certified classic. With performances from Tom Hanks, Kevin Bacon, Bill Paxton, and others bringing to life the famous astronauts who made this moment during the space race one to remember, you’ll get a sense of the fight for life both out in space and on the ground that made for a frantic, yet ultimately inspirational, story watched around the world.

Apostle (2018)

List Of Good Movies To Download

For his follow-up to his two action epics, The Raid and The Raid 2, director Gareth Evans dials back the hand-to-hand combat but still keeps a few buckets of blood handy in this grisly supernatural horror tale. Dan Stevens stars as Thomas Richardson, an early 20th century opium addict traveling to a cloudy island controlled by a secretive cult that's fallen on hard times. The religious group is led by a bearded scold named Father Malcolm (Michael Sheen) who may or may not be leading his people astray. Beyond a few bursts of kinetic violence and some crank-filled torture sequences, Evans plays this story relatively down-the-middle, allowing the performances, the lofty themes, and the windswept vistas to do the talking. It's a cult movie that earns your devotion slowly, then all at once.

The Aviator (2004)

The Aviator is a tour-de-force historical epic that hinges on Leonardo DiCaprio as American aviator Howard Hughes, whose mental state stymies grandiose ambitions. DiCaprio loves a good man tormented by internal and external demons, but in this three-hour masterpiece, Martin Scorsese pushes the 30-year-old Leo to bring all of Howard Hughes' many contradictions to life: the swaggering young playboy billionaire, the starlet romancer, the daredevil innovator, and the shrunken madman, unshorn, guzzling milk, pissing in bottles, and muttering 'the way of the future' over and over again. It's one of the most harrowing on-screen depictions of how mental illness can wrench a life apart, and one of Leo's unobjectable triumphs.

The Ballad of Buster Scruggs (2018)

The Coen brothers gave some big-name-director cred to Netflix by releasing their six-part Western anthology on the streaming service, and while it's not necessarily their best work, Buster Scruggs is clearly a cut above most Netflix originals. Featuring star turns from Liam Neeson, Tom Waits, Zoe Kazan, and more, the film takes advantage of Netflix's willingness to experiment by composing a sort of death fugue that unfolds across the harsh realities of life in Manifest Destiny America. Not only does it revel in the massive, sweeping landscapes of the American West, but it's a thoughtful meditation on death that will reveal layer after layer long after you finish.

Barry (2016)

In 1981, Barack Obama touched down in New York City to begin work at Columbia University. As Barry imagines, just days after settling into his civics class, a white classmate confronts the Barry with an argument one will find in the future president's Twitter @-mentions: 'Why does everything always got to be about slavery?' Exaltation is cinematic danger, especially when bringing the life of a then-sitting president to screen. Barry avoids hagiography by staying in the moment, weighing race issues of a modern age and quieting down for the audience to draw its own conclusions. Devon Terrell is key, steadying his character as smooth-operating, socially active, contemplative fellow stuck in an interracial divide. Barry could be any half-black, half-white kid from the '80s. But in this case, he's haunted by past, present, and future.

Beasts of No Nation (2015)

True Detective Season 1 director Cary Fukunaga's wartime drama is not a movie you put on in the background. Adapted from Uzodinma Iweala's novel of the same name, this visceral character study tracks a preadolescent after he's recruited to be a child soldier in an African civil war (its specifics are left purposely ambiguous). Lorded over by a gruff commander (Idris Elba), the movie is loud, tender, and violent -- a coming-of-age story in which the characters may not live to come of age.

Black Hawk Down (2001)

It's hard to tell the actors apart in Black Hawk Down: they're all dressed in military fatigues, often with helmets and goggles that obscure their faces; there's dust everywhere; and yelling is the preferred method of communication. To say that Ridley Scott's chronicle of a 1993 US military raid in Mogadishu doesn't cohere isn't exactly a negative critique. It's a part of the movie's frenzied, discombobulating aesthetic. Faces blur. The soundtrack pummels you with gunfire. Helicopters whirl overhead. It's experiential, the type of movie that's tough to shake -- even on a puny computer screen.

Blue Is the Warmest Color (2013)

Released into a media storm overly concerned with its lengthy, controversially filmed sex scene, Abdellatif Kechiche's three-hour opus drowns tabloid buzz with sensual and sensitive drama. Make time for the tender, inquisitive exploits of Adèle (Adèle Exarchopoulos), who falls hard for the cerulean lure of Emma (Spectre's Léa Seydoux). The runtime breathing room gives Kechiche the chance to explore every glance, every touch, every kiss, and every misstep in their relationship. It's a love epic, where minor notes play like power chords.

Boyhood (2014)

Fair warning: Some people really, really, really, really, really hated this, but we dug it. Richard Linklater's saga of 12 formative years in young Mason's life (Ellar Coltrane) initially piqued our curiosity because of the director's real-time filming approach. The ambitious movie's two-hour, 46-minute runtime yields an intimate portrait of a family's ups and downs, tender performances from parents Ethan Hawke and Patricia Arquette, and an illuminating look at how actors' talents age and grow.

Burn After Reading (2008)

The Coens followed up their No Country for Old Men Best Picture win at the Oscars by turning sharply back to comedy. Burn After Reading is absurd and acerbic, a political hoopla revolving around a prized MacGuffin -- a CD containing government secrets! -- that isn't a MacGuffin at all. A gaggle of 'serious' actors, most notably Brad Pitt, Tilda Swinton, John Malkovich, and Coen stalwarts Frances McDormand and George Clooney, shoot for the stratosphere as they weave through the mad, mad, mad, mad world of Washington, DC. And because this is a Coen brothers movie, blood spills freely as everyone from personal trainers to CIA spies sink deeper and deeper into confusion. An ode to empowered idiocy, complete with a dildo chair.

Cam (2018)

Unlike the Unfriended films or this summer's indie hit Searching, this web thriller from director Daniel Goldhaber and screenwriter Isa Mazzei isn't locked into the visual confines of a computer screen. Though there's plenty of online screen time, allowing for subtle bits of commentary and satire, the looser style allows the filmmakers to really explore the life and work conditions of their protagonist, rising cam girl Alice (Madeline Brewer). We meet her friends, her family, and her customers. That type of immersion in the granular details makes the scarier bits -- like an unnerving confrontation in the finale between Alice and her evil doppelganger -- pop even more.

Carol (2015)

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Todd Haynes’ story about lesbian love in the 1950s is a gorgeous film from start to finish: from the direction (every frame is as lush as a painting) to the awards-worthy performances (Rooney Mara as the gawky, vulnerable Therese and Cate Blanchett as the alluring, perfectly coiffed Carol -- seriously, give this woman’s hair-swoop its own award). No matter which way you swing, Carol is one of the most tender cinematic depictions ever of what it feels like to be in love -- how the quality of light changes, how time slows, how every fleeting gesture takes on the deliberateness of sign language -- and why two people would be willing to go against everything society expects of them in order to hold on to it.

City of God (2002)

This film about a Brazilian favela's descent into criminal rule leaves a haunting note echoing in the wake of the 2016 Rio Olympics. The harsh reality City of God portrays, one in which gang logic trumps all, will not make for an uplifting night in, but the movie is much more than a shoot-em-up thrill ride -- Brazil's natural beauty and the hope of youth always serve as heartbreaking counterbalances to violence.

Clouds of Sils Maria (2016)

Set against the heavenly hills of Sils Maria, Switzerland, this chamber drama traps an aging actress (Juliette Binoche), her raw and responsive assistant (Kristen Stewart), and an ingenue gunning for fame (Chloë Grace Moretz), as they swirl through each other's lives like a mist. There's little plot to describe in Clouds of Sils Maria; you come to watch three premier actresses drill into psychology and they deliver in spades.

Dallas Buyers Club (2013)

This biopic about Ron Woodruff, a particularly rebellious Texan who learns he's HIV-positive in the 1980s, is peak Matthew McConaughey and led to his infamous acceptance speech after winning the Oscar for Best Actor. (In case you've forgotten, he says his hero is himself in the future.) Jean-Marc Vallée's searing Texas landscapes and unflinching look at the progression of a disease few people understood give this movie a unique spin on the conventional biopic.

Enemy (2014)

Jake Gyllenhaal stars in Denis Villeneuve's (Arrival) creepy sci-fi thriller about a man who discovers he has a doppelganger. The double has been a literary trope for just about as long as people have been creating art (Enemy is based on Nobel laureate José Saramago's novel The Double), but Gyllenhaal's unnerving performance and Villeneuve's claustrophobic, monochromatic directing make Enemy a particularly sophisticated riff on a well-worn theme. It's a mind-bending exploration of identity, and the ending will leave you lying awake, puzzling over what it all means.

Eternal Sunshine of the Spotless Mind (2004)

Romance and love are nothing without the potential for loss and pain, but most of us would probably still consider cutting away all the worst memories of the latter. Given the option to eradicate memories of their busted relationship, Jim Carrey's Joel and Kate Winslet's Clementine go through with the procedure, only to find themselves unable to totally let go. Science fiction naturally lends itself to clockwork mechanisms, but director Michel Gondry and screenwriter Charlie Kaufman never lose the human touch as they toy with the kaleidoscope of their characters' hearts and minds.

Frances Ha (2012)

Before winning hearts and Oscar nominations with her coming-of-age comedy Lady Bird, Greta Gerwig starred in the perfect companion film, about an aimless 27-year-old who hops from New York City to her hometown of Sacramento to Paris to Poughkeepsie and eventually back to New York in hopes of stumbling into the perfect job, the perfect relationship, and the perfect life. Directed by Noah Baumbach (The Meyerowitz Stories), and co-written by both, Frances Ha is a measured look at adult-ish life captured the kind of intoxicating black and white world we dream of living in.

Fyre: The Greatest Party That Never Happened (2019)

Everyone's favorite disaster of a festival received not one, but two streamingdocumentaries in the same week. Netflix's version has rightly faced some criticism over its willingness to let marketing company Fuck Jerry off the hook (Jerry Media produced the doc), but that doesn't take away from the overall picture it portrays of the festival's haphazard planning and the addiction to grift from which Fyre's founder, Billy McFarland, apparently suffers. It's schadenfreude at its best.

Gerald's Game (2017)

Like his previous low-budget Netflix-released horror release, Hush, a captivity thriller about a deaf woman fighting off a masked intruder, Mike Flanagan's Stephen King adaptation of Gerald's Game wrings big scares from a small location. Sticking close to the grisly plot details of King's seemingly 'unfilmable' novel, the movie chronicles the painstaking struggles of Jessie Burlingame (Carla Gugino) after she finds herself handcuffed to a bed in an isolated vacation home when her husband, the titular Gerald, dies from a heart attack while enacting his kinky sexual fantasies. She's trapped -- and that's it. The premise is clearly challenging to sustain for a whole movie, but Flanagan and Gugino turn the potentially one-note set-up into a forceful, thoughtful meditation on trauma, memory, and resilience in the face of near-certain doom.

Good Will Hunting (1997)

It might be hard to believe now, but once upon a time, Jason Bourne and Batfleck wrote an Academy Award-winning script. As the titular Will Hunting, a directionless MIT janitor with a jaw-dropping gift for mathematics, Matt Damon sparred with the late Robin Williams' beautifully portrayed psychologist to create a moving picture that weighs embracing ambition with remembering one's roots. Minnie Driver, South Boston accents, and quality dive bar scenes are also in the mix -- the movie's still a must-see, or must-re-see.

The Graduate (1967)

Dustin Hoffmann's early career masterpiece of privileged malaise holds up, because it turns out that America hasn't matured enough to deal in any meaningful sense with the existential angst its productivity-first ethos creates. Today, the one word Benjamin Braddock would hear might be two: 'Venture capital' or 'data mining' or 'fintech startups' or 'new media,' but the vast meaningless would be the same. And, of course, we can't forget the iconic Anne Bancroft, whose Mrs. Robinson is one of the most memorable characters in American film. She's got a whole song named for her!

Heathers (1988)

Like Mean Girls but with murder, this dark '80s cult classic features Winona Ryder and Christian Slater at their peak cool as two young lovers who start bumping off the popular kids in their high school (including a group of pre-Plastics mean girls all named Heather). While the film flopped at the time, the movie seemed pre-destined to be a cult classic, packed as it was with iconic images and lines: Veronica's monocle, the red power scrunchie, the croquet-playing, 'What's your damage, Heather!?,' and of course, 'Fuck me gently with a chainsaw.' Years ahead of its time, Heathers was a sharp satire of sickly sweet '80s teen movies, a lethal dose of cinematic Drano that we still can't believe ever got green-lit (and that certainly wouldn't pass muster in today's post-Columbine world).

Hot Fuzz (2007)

Shaun of the Dead spoofers Edgar Wright and Simon Pegg set their sights on bumbling police officers trying to solve a murder in a small English town. The duo watched countless buddy-cop flicks to fully satirize the genre, and it paid off, with laughably bad chase sequences and uproarious slapstick gags. They prove how much fun action movies can be when they lighten up a little (OK, a lot). Remember: It's not murder, it's ketchup.

The Hurt Locker (2008)

Before director Katheryn Bigelow made the CIA-torture propaganda movie Zero Dark Thirty, she became the first woman to win an Academy Award for directing thanks to this heart-pounding depiction of Explosive Ordnance Disposal units in Iraq. It may exaggerate the day-to-day realities of the Iraq War, but the thesis -- war is a drug -- implies that it's possible to get hooked, turning a nation and its soldiers into war addicts. It's so potent a drug that Jeremy Renner's anti-hero, Staff Sergeant William James, can't give it up even when facing death and the possibility of reuniting with his family. Not quite as rah-rah American as Bigelow's follow-up.

I Am the Pretty Thing That Lives in the House (2016)

A meditative horror flick that's more unsettling than outright frightening, I Am the Pretty Thing That Lives in the House follows the demise of Lily, a live-in nurse (Ruth Wilson) who's caring for an ailing horror author. As Lily discovers the truth about the writer's fiction and home, the lines between the physical realm and the afterlife blur. The movie's slow pacing and muted escalation might frustrate viewers craving showy jump-scares, but writer-director Oz Perkins is worth keeping tabs on. He brings a beautiful eeriness to every scene, and his story will captivate patient streamers. Fans should be sure to check out his directorial debut, The Blackcoat's Daughter.

I Don't Feel at Home in This World Anymore (2017)

In this maniacal mystery, Ruth (Melanie Lynskey), a nurse, and her rattail-sporting, weapon-obsessed neighbor, Tony (Elijah Wood), hunt down a local burglar. Part Cormac McCarthy thriller, part wacky, Will Ferrell-esque comedy, I Don't Feel at Home in This World Anymore is a cathartic neo-noir about everyday troubles. Director Macon Blair's not the first person to find existential enlightenment at the end of an amateur detective tale, but he might be the first to piece one together from cussing octogenarians, ninja stars, Google montages, gallons of Big Red soda, upper-deckers, friendly raccoons, exploding body parts, and the idiocy of humanity.

Indiana Jones and the Raiders of the Lost Ark (1981)

With a bullwhip, a leather jacket, and an 'only Harrison Ford can pull this off' fedora, director Steven Spielberg invented the modern Hollywood action film by doing what he does best: looking backward. As obsessed as his movie-brat pal and collaborator George Lucas with the action movie serials of their youth, the director mined James Bond, Humphrey Bogart, Westerns, and his hatred of Nazis to create an adventure classic. To watch Raiders of the Lost Ark now is to marvel at the ingenuity of specific sequences (the boulder! The truck scene! The face-melting!) and simply groove to the self-deprecating comic tone (snakes! Karen Allen! That swordsman Indy shoots!). The past has never felt so alive.

Into the Inferno (2016)

Werner Herzog’s illuminating semi-sequel to Encounters at the End of the World reunites him with volcanologist Clive Oppenheimer for encounters with volcanoes all over the world. This time, Herzog stays offscreen and lets Oppenheimer have most of the spotlight, though there is plenty of the filmmaker’s signature narration: some of it to revisit the making of another of his films, the 1977 short La Soufrière; or to present other interesting stories of volcanoes and the people who worship them.

Ip Man (2008)

There aren't many biopics that also pass for decent action movies. Somehow, Hong Kong action star Donnie Yen and director Wilson Yip made Ip Man (and three sequels!) based on the life of Chinese martial-arts master Yip Kai-man, who famously trained Bruce Lee. What's their trick to keeping this series fresh? Play fast and loose with the facts, up the melodrama with each film, and, when in doubt, cast Mike Tyson as an evil property developer. The fights are incredible, and Yen's portrayal of the aging master still has the power to draw a few tears from even the most grizzled tough guy.

Jaws (1975)

'Da-dum… da-dum… da-dum da-dum da-dum!' You know the music. You know the 'bigger boat' line. Maybe you even remember that dolly zoom shot of Roy Scheider sitting on the beach with his family when the screams of terror ring out and everyone runs like hell. But no matter how much pop culture chomps on the remains of this classic, there's no stripping this understated, fundamentally humanist monster picture of its primal power. Even in the age of Sharknado and The Shallows, Jaws is still scary, funny, and essential viewing. These are waters you'll want to get back into.

Kill Bill Vols. 1 & 2 (2003, 2004)

Arguably the movie that established Quentin Tarantino as a full-fledged mainstream auteur, Kill Bill: Vol. 1 possesses some of the filmmaker’s most iconic set pieces and visual tableaux, from the Bride rocking Bruce Lee's Round 5 jumpsuit to the animated O-Ren Ishii (Lucy Liu) backstory sequence. The relatively quiet, reflective sequel was viewed by many as a leisurely paced come-down from the frenzied blood-letting high of the action-packed first half. But, like Beatrix Kiddo herself, the movie has only gotten wiser with age.

Lion (2016)

In 1986, 5-year-old Saroo Brierley becomes an accidental stowaway aboard a train headed to Calcutta -- 930 miles away from his home. Twenty-five years later, grown under the care of an Australian couple, the expatriate sets out to locate the mother he barely knew. His tool of choice: Google Earth. Brierley's life story is the setup for a feel-good drama, and Lion lands the life affirmations without schmaltzing up the hardships. Garth Davis splits the movie in two, first capturing the metropolitan chaos from a pint-sized POV, then wrestling with an identity crisis in the present. Dev Patel picks at a raw nerve as the present-day Brierley, displaced but driven towards discovery, while Kidman delivers a heartbreaking performance as his adoptive mother. Thank God for the meditative soundtrack.

The Lobster (2016)

Greek style master Yorgos Lanthimos' dystopian allegory against romance sees Colin Farrell forced to choose a partner in 45 days or he'll be turned into an animal of his choice, which is a lobster. Stuck in a group home with similarly unlucky singles, Farrell's David decides to bust out and join other renegades in a kind of anti-love terror cell that lives in the woods. It's part comedy of manners, part futuristic thriller, and it looks absolutely beautiful -- Lanthimos handles the bizarre premise with grace and a naturalistic eye that reminds the viewer that humans remain one of the most interesting animals to exist on this planet.

The Look of Silence (2014)

The stronger one of Joshua Oppenheimer's films confronting the mid-1960s genocide in Indonesia (the other is The Act of Killing) follows an optometrist as he meets and interviews the individuals responsible for the death of his brother, none of whom have been held accountable before. It sounds so simplistic, and at first it plays so serenely, then gradually, it builds into a powerful record of the candid confessions of men still considered heroes in their country. This documentary focuses on the legacy of events that will soon only be in the hands and minds of a generation detached from and mistaken about what happened 50 years ago.

The Lovely Bones (2009)

Peter Jackson's film adaptation of the 2002 novel of the same name stars Saoirse Ronan as a murdered 14-year-old girl who watches life on Earth continue to go on without her while she adjusts to life in heaven. Ronan gives a dazzling performance as she spends a good portion of the film navigating the heaven that she illustrates all on her own while struggling to keep an eye on her grief-stricken family and her murderer (Stanley Tucci), who has yet to be caught.

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The Meyerowitz Stories (New and Selected) (2017)

When Danny (Adam Sandler), Matthew (Ben Stiller) and Jean (Elizabeth Marvel), three half-siblings from three different mothers, gather at their family brownstone in New York to tend to their ailing father (Dustin Hoffman), a lifetime of familial politics explode out of every minute of conversation. Their narcissistic sculptor dad didn't have time for Danny. Matthew was the golden child. Jean was weird... or maybe disturbed by memories no one ever knew. Expertly sketched by writer-director Noah Baumbach (The Squid and the Whale) this memoir-like portrait of lives half-lived is the kind of bittersweet, dimensional character comedy we're now used to seeing told in three seasons of prestige television. Baumbach gives us the whole package in two hours.

Milk (2008)

Sean Penn won a Best Actor Oscar for his portrayal of Harvey Milk, the openly gay public official who galvanized San Francisco's activist movement. Directed by Gus Van Sant (Good Will Hunting), Milk is a traditional, yet elegant biopic that keeps two fingers firmly placed on the pulse of 1970s Castro Street while mirroring debates and actions we're still (still!) witnessing today.

Monty Python and the Holy Grail (1975)

The legendary British comedy troupe took the legend of King Arthur and offered a characteristically irreverent take on it in their second feature film. It's rare for comedy to hold up this well, but the timelessness of lines like, 'I fart in your general direction!' 'It's just a flesh wound,' and 'Run away!' makes this a movie worth watching again and again.

Mudbound (2017)

The South's post-slavery existence is, for Hollywood, mostly uncharted territory. Rees rectifies the overlooked stretch of history with this novelistic drama about two Mississippi families working a rain-drenched farm in 1941. The white McAllans settle on a muddy patch of land to realize their dreams. The Jacksons, a family of black sharecroppers working the land, have their own hopes, which their neighbors manage to nurture and curtail. To capture a multitude of perspectives, Mudbound weaves together specific scenes of daily life, vivid and memory-like, with family member reflections, recorded in whispered voice-over. The epic patchwork stretches from the Jackson family dinner table, where the youngest daughter dreams of becoming a stenographer, to the vistas of Mississippi, where incoming storms threaten an essential batch of crops, to the battlefields of World War II Germany, a harrowing scene that will affect both families. Confronting race, class, war, and the possibility of unity, Mudbound spellbinding drama reckons with the past to understand the present.

No Country for Old Men (2007)

Like a blast from Anton Chigurh's cattle gun, No Country for Old Men came out of nowhere. In 2007, it seemed like the Coen brothers had lost a step, sinking into an era of gentle self-parody. This Josh Brolin-starring neo-Western changed all that. Adapting Cormac McCarthy's brutal, uncompromising thriller, the filmmakers crafted their most purely suspenseful and terrifying film to date. The coin flip, the car crash, and Javier Bardem's haircut have all become parodied pop-cultural fixtures at this point. But the sense of dread the film evokes, amplified by Roger Deakins' shadowy photography, is impossible to shake. It's real. It's scary. And it's coming for you.

Nymphomaniac Vol. 1 & 2 (2013)

Provocateur Lars von Trier (Antichrist, Melancholia) made headlines for filling his orgastic opus with unsimulated sex. While the four-hour-long journey is filled with explicit scenes -- everything from train-car blow jobs to threesomes to fetish whipping where a riding crop takes care of the stimulation -- von Trier has more on his mind than pornographic subversion. His sardonic Nymphomaniac questions sexuality, the roles of men and women in one another's lives, and storytelling on a macro level. The movie's a triumph -- and not just for those who dreamed of seeing Shia LaBeouf thrust on camera.

Okja (2017)

This wild ride, part action heist, part Miyazaki-like travelogue, and part scathing satire, is fueled by fairy tale whimsy -- but the Grimm kind, where there are smiles and spilled blood. Ahn Seo-hyun plays Mija, the young keeper of a 'super-pig,' bred by a food manufacturer to be the next step in human-consumption evolution. When the corporate overlords come for her roly-poly pal, Mija hightails it from the farm to the big city to break her out, crossing environmental terrorists, a zany Steve Irwin-type (Jake Gyllenhaal), and the icy psychos at the top of the food chain (including Tilda Swinton's childlike CEO) along the way. Okja won't pluck your heartstrings like E.T., but there's grandeur in its frenzy, and the film's cross-species friendship will strike up every other emotion with its empathetic, eco-friendly, and eccentric observations.

Personal Shopper (2017)

As Maureen, a French socialite's personal shopper who believes that if she hangs around Paris long enough, she'll make contact with her recently deceased twin brother, Kristen Stewart is a conduit of the spirits of Vivien Leigh, James Dean, and the leading ladies of Hitchcock thrillers. She's enigmatic yet seductive, the perfect set of observing, questioning eyes to lead us down a windy exploration of grief. Personal Shopper becomes a supernatural horror, psychosexual drama, high-tension suspense, and the type of playful character drama that the French have perfected, all while orbiting Maureen's racing mind, which we see provoked by everything from séance YouTube videos to anonymous text messages.

The Pianist (2002)

Adrien Brody picked up an Oscar for his silent portrayal of celebrated Polish pianist Władysław Szpilman, a Jew who survived the Holocaust thanks to a mix of luck, ingenuity, resistance, and endurance. Like all stories of the Holocaust, it's a harrowing depiction of the Nazi reign, which in addition to taking lives destroyed talent and livelihoods across Europe. The film is deathly silent, punishing, and unforgiving -- like the rest of the Holocaust.

Private Life (2018)

Over a decade since the release of her last dark comedy, The Savages, writer and director Tamara Jenkins is back with a sprawling movie in the same vein: more hyper-verbal jerks you can't help but love. Richard (Paul Giamatti) and Rachel (Kathryn Hahn) are a Manhattan-dwelling couple who have spent the last few years attempting to have a baby with little success. When we meet them, they're already in the grips of fertility mania, willing to try almost anything to secure the offspring they think they desire. With all the details about injections, side effects, and pricey medical procedures, the movie functions as a taxonomy of modern pregnancy anxieties, and Hahn brings each part of the process to glorious life. Eventually, the pair recruits 25-year-old college dropout Sadie (Kayli Carter), the step-daughter of Richard's brother, to serve as an egg donor. Soon, they form their own unconventional family united by feelings of inadequacy and hope for the future. The final shot, which features a moment of silence after over two hours of near constant chatter, is one you won't forget.

Pulp Fiction (1994)

No other modern movie so effortlessly created its own language and mythology of cool, where mere objects evoke oceans of meaning. Many have tried, but only Quentin Tarantino could cut and paste his passions into a collage. Both wickedly funny and surprisingly thoughtful, it's even better than you remember it being in the 1990s. Travolta still sizzles. The dialogue still pops. The soundtrack still sings. Forget the loftier films he'd make later in his career -- this is his masterpiece.

Raw (2017)

In Julia Ducournau's debut, carnal desires turn carnivorous. A coming-of-age story that'll have the queasy retreating from age, Raw finds sheltered vegetarian Justine (Garance Marillier) embarking on her first year of French veterinarian school. Between graphic dissections, nightly raves, and hazing that makes American fraternity life look like a day at the massage parlor, the student struggles to fit in. Justine's frosh year takes a morbid turn when her upperclassman sister forces her to consume meat for the first time, unleashing an insatiable hunger. The metaphors are obvious, but Ducournau's clinical eye for horror tableaux -- the 'gross' parts range from skin peeling to gnawing on human fingers to dredging dung from a cow's anus (for science!) -- keep Raw perpetually and satisfyingly unnerving.

Roma (2018)

All those billions Netflix spent paid off in the form of several Oscar nominations for Roma, including one for Best Picture and a win for Best Director. Whether experienced in the hushed reverence of a theater, watched on the glowing screen of a laptop, or, as Netflix executive Ted Sarandos has suggested, binged on the perilous surface of a phone, Alfonso Cuarón's black-and-white passion project seeks to stun. A technical craftsman of the highest order, the Children of Men and Gravity director has an aesthetic that aims to overwhelm -- with the amount of extras, the sense of despair, and the constant whir of exhilaration -- and this autobiographical portrait of kind-hearted maid Cleo (Yalitza Aparicio) caring for a family in the early 1970s has been staged on a staggering, mind-boggling scale. Cuarón's artful pans aren't just layered for the sake of complexity: He's often placing different emotions, historical concepts, and class distinctions in conversation with each other. What are these different components in the painstakingly composed shots actually saying to each other? That remains harder to parse. Still, there's an image of Cleo and the family eating ice cream together after a devastating dinner in the foreground while a wedding takes place in the background that you won't be able to shake. The movie is filled with compositions like that, tinged with careful ambiguity and unresolvable tensions.

Room (2015)

The big-screen adaptation of Emma Donoghue's best-selling novel, about a mother raising her son in captivity after being abducted as a teenager, has built-in challenges. Most of the film takes place in an 11x11 garden shed. And the drama plays out from the perspective of a 5-year-old. But Lenny Abrahamson's film version is as much a cinematic triumph as the book was a literary one. Anchored by stirring performances from young Jacob Tremblay and Oscar winner Brie Larson, who cements her status as one of the finest actresses working today, Room is a haunting tribute to survival in the most horrific of circumstances.

Schindler's List (1993)

A passion project for Steven Spielberg, who shot it back-to-back with another masterpiece, Jurassic Park, Schindler's List tells the story of Oskar Schindler, a German businessman who reportedly saved over 1,200 Jews during the Holocaust. Frank, honest, and stark in its depiction of Nazi violence, the three-hour historical drama is a haunting reminder of the world's past, every frame a relic, every lost voice channeled through Itzhak Perlman's mourning violin.

She's Gotta Have It (1986)

Before checking out Spike Lee's Netflix original series of the same name, be sure to catch up with where it all began. Nola (Tracy Camilla Johns) juggles three men during her sexual pinnacle, and it's all working out until they discover one another. She's Gotta Have It takes some dark turns, but each revelation speaks volumes about what real romantic independence is all about.

The Silence of the Lambs (1991)

The late director Jonathan Demme's film is the touchstone for virtually every serial killer film and television show that came after. The iconic closeup shots of an icy, confident Hannibal Lecter (Anthony Hopkins) as he and FBI newbie Clarice Starling (Jodie Foster) engage in their 'quid pro quo' interrogation sessions create almost unbearable tension as Buffalo Bill (Ted Levine) remains on the loose, killing more victims. Hopkins delivers the more memorable lines, and Buffalo Bill's dance is the stuff of nerve-wracking anxiety nightmares, but it's Foster's nuanced performance as a scared, determined, smart-yet-hesitant agent that sets Silence of the Lambs apart from the rest of the serial killer pack.

To All the Boys I've Loved Before (2018)

Of all the entries in the rom com revival, this one is heavier on the rom than the com. But even though it won't make your sides hurt, it will make your heart flutter. The plot is ripe with high school movie hijinks that arise when the love letters of Lara Jean Covey (the wonderful Lana Condor) accidentally get mailed to her crushes, namely the contractual faux relationship she starts with heartthrob Peter Kavinsky (Noah Centineo). Like its heroine, it's big-hearted but skeptical in all the right places.

Velvet Buzzsaw (2018)

Nightcrawler filmmaker Dan Gilroy teams up with Jake Gyllenhaal again to create another piece of cinematic art, this time a satirical horror film about the exclusive, over-the-top LA art scene. The movie centers around a greedy group of art buyers who come into the possession of stolen paintings that, unbeknownst to them, turn out to be haunted, making their luxurious lives of wheeling and dealing overpriced paintings a living hell. Also featuring the likes of John Malkovich, Toni Collette, Billy Magnussen, and others, Velvet Buzzsaw looks like Netflix’s next great original.

The Wailing (2016)

Hollywood horror movies rarely shoot for 'epic,' content with scaring up a storm with micro-budgets and single locations (and before you say it: no, Resident Evil sequels aren't scary). South Korean director Na Hong-jin does not suffer from the same apprehension. The Wailing is a masterpiece of mood, 156 minutes of every horror trope imaginable, drenched in mythology us foreigners might not entirely understand. That's fine: The movie's plot, a streak of murderers that may or may not have been perpetrated by demons, tows the viewer through the foggiest moments with one visceral pleasure after another. The Wailing is the metaphysical mystery that we all wanted from True Detective Season 1.

Wet Hot American Summer (2001)

With the arrival of the Netflix miniseries First Day of Camp and 10 Years Later, it's easy to forget that Wet Hot American Summer wasn't always a beloved comedy classic. The movie initially flopped, making less than $1 million in theaters, and earned some brutally dismissive reviews. You know who saved this movie? Stoned nerds, mostly. How else can you explain the iconic status of a movie that features a scene where the dude from Law & Order: SVU talks to a can of vegetables voiced by H. Jon Benjamin? There's no other explanation.

The Witch (2015)

The Witch delivers everything we don't see in horror today. The backdrop, a farm in 17th-century New England, is pure misty, macabre mood. The circumstance, a Puritanical family making it on the fringe of society because they're too religious, bubbles with terror. And the question, whether devil-worshipping is hocus pocus or true black magic, keeps each character on their toes, and begging God for answers. The Witch tests its audience with its (nearly impenetrable) old English dialogue and the (anxiety-inducing) trials of early American life, but the payoff will keep your mind racing, and your face hiding under the covers, for days.

The White Helmets (2016)

Winner of the Oscar for Best Documentary Short, this powerful film profiles the titular team of first responders operating in war-torn Aleppo and other parts of Syria, endangering their own lives to save as many others as they can. And the filmmakers follow along, also under great duress. Even more tense, though, are scenes in a White Helmets training camp in Turkey, where recruits are away from their families, worrying for their loved ones' safety in their absence.

Win It All (2017)

In less than 90 minutes, director Joe Swanberg and his co-writer and star Jake Johnson provide an endearing portrait of a schlub in crisis. Like he did with 2013's Drinking Buddies and last year's Netflix series Easy, Swanberg zeroes in on the small details thirtysomething existential dread and scores big. In telling the story of a gambling addict named Eddie (Johnson) who is entrusted with a bag of money, which he quickly blows in spectacular fashion, the filmmaker has found an ideal mix between old-fashioned Hollywood storytelling and his low-key naturalism. Will Eddie get his shit together? Win It All is less interested in answering that question than it is in spending time with these lovable losers.

Y Tu Mamá También (2001)

Before taking us to space with Gravity, director Alfonso Cuarón steamed up screens with this provocative, comedic drama about two teenage boys (Diego Luna and Gael García Bernal) road-trippin' it with an older woman. Like a sunbaked Jules and Jim, the movie makes nimble use of its central love triangle, setting up conflicts between the characters as they move through the complicated political and social realities of Mexican life. It's a confident, relaxed film that's got an equal amount of brains and sex appeal. Watch this one with a friend -- or two.

13th (2016)

Selma director Ava DuVernay snuck away from the Hollywood spotlight to direct this sweeping documentary on the state of race in America. DuVernay's focus is the country's growing incarceration rates and an imbalance in the way black men and women are sentenced based on their crimes. Throughout the exploration, 13th dives into post-Emancipation migration, the systemic racism that built in the early 20th century, and moments of modern political history that continue to spin a broken gear in our well-oiled national machine. You'll be blown away by what DuVernay uncovers in her interview-heavy research.

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